Rigid Metal Hits and Movements

A collection of the rigid sounds from metallic objects

Tagged under: Contemporary Fantasy Foley Horror Materials Technology

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A collection of diverse rigid metal sounds like rattles, hits, and other movements, containing everyday metal objects and more exotic ones, like spring drums and Tibetan singing bowls, suitable for use as Foley, UI elements, and mechanical actions.

This collection captures the distinctive sound of rigidity in metallic objects. The sounds of this library have many uses, from simple metal Foley to user interface sounds and from adding extra sounds in mechanical parts to layering for buffing up other sound effects.

Apart from sound design and special sound effects, music producers can take advantage of the musicality that rigid metal objects feature and use them in samplers and drum machines to enhance the sounds of their tracks.

Best For

workshop, mechanical, post-apocalyptic, garage, physics, nature, chain reaction, contraptions, adventure, pinball

Keywords from Content

element, nature, ingredient, component, metal, metallic, alloy, ore, solid, chain, bowl, spring, spin, scrape, hit, rattle, creak, resonance

Contents and organization

We take extra care to make it easy to find the sounds you need and intuitively browse the contents. Depending on the theme and content, we use various ways to organize the content. Different content categories and channel formats are organized in folders. Useful content properties are included in the filenames (i.e., Loop, Complex, Diffused, DoplerInversed, etc.). Different types of the same phenomenon are denoted with capital letters, and same-type variations are enumerated with two-digit incremental numbers.

File list

Check out the contents and organization of this sound library in the library’s file list.

UCS Metadata Excel

The files in this library have embedded metadata, but you can also get a UCS-compatible Excel file for your pipeline.

Technical Specifications

The package contains 726 lossless (PCM) wave files (WAV) at 96 kHz / 24-bit resolution with an uncompressed size of 1.1 GB.

Channel Formats Included:

Unique features

Achieve the best sound by taking advantage of this library’s innovative features.

PureSource™​

We dereverberate our recordings to get them as anechoic as they get. We also flatten any coloring added by microphones, preamps, etc. Revealing the source’s pure sound means better integration with reverb processors, occlusion filters, 3D audio engines, and a more immersive audio experience for the end user. Learn More >>

Refined Content​

Meticulous trimming, seamless looping, and detailed fading. All those results in oneshots that perfectly sync with visuals, and loops that cycle seamlessly in any playback scenario. What you get is content that just sounds great and cuts through the mix. Learn More >>

AuthorNorm™​

AuthorNorm™ is a perceived loudness normalization protocol that fuses the natural behavior of sound in nature and how we use sound in digital media authoring. Designed to normalize audio assets used in the production and post-production stages, it’s perfect for any media authoring work. Learn More >>

HDR Audio

Our end-to-end high dynamic range pipeline yields crystal clear sound with more detail, punchier attacks, and smoother fades, that sound great across any playback scenario. Learn More >>

Compatibility

To ensure easy ingestion in your project and maximum scope coverage, we regularly test our sound libraries with the pipelines below.

We follow industry-standard formats, so you should be able to use our audio assets in any pipeline. If you have any questions, don’t hesitate to contact us.

Game Engines
Video Editors
Digital Audio Workstations
Low Level and Embedded

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Rigid Metal Hits and Movements