Collections of acoustic impulse responses that perfectly mimic the behavior of acoustic spaces, physics phenomena, or psychoacoustic illusions of hearing and perception.
Above, you only see a list of all our Designer IRs libraries.
Don’t miss our other library categories, such as Ambience Kits, Sound Effects, Production Music, and Particle Sounds.
Explore All Our Sound Libraries
Our studio is really a laboratory of sound science and engineering pun intended! We produce audio using a next-gen production pipeline, with some innovative technologies and techniques. Below you can find a list of all the innovations you will find if you get a Production Music library from us. Or, if you’re a geek like us, check out all our innovations.
Meticulous trimming, seamless looping, and detailed fading. All those results in oneshots that perfectly sync with visuals, and loops that cycle seamlessly in any playback scenario. What you get is content that just sounds great and cuts through the mix. Learn More >>
AuthorNorm™ is a perceived loudness normalization protocol that fuses the natural behavior of sound in nature and how we use sound in digital media authoring. Designed to normalize audio assets used in the production and post-production stages, it’s perfect for any media authoring work. Learn More >>
Low cost is almost automatically associated with low quality and less value; however, this is an unfair correlation. We constantly use critical thinking to reduce the cost of production while maintaining, or even increasing, the quality we deliver. Our quality-driven culture results in professional-grade sound libraries with 10x or 20x lower prices than any high-quality competitor.
Designed IRs are impulse responses that was produced using a hybrid of classic IR recording techniques and modelling fused with cutting-edge audio engineering technologies.
Impulse responses are used with convolution algorithms to simulate the acoustics that was captured during the recording of an impulse signal, but our Designed IRs take this a step further with the simulation of various physics phenomena, or psychoacoustic illusions of hearing and perception.
Furthermore, our production process uses the acoustic captures together with modelling and simulation to produce acoustic spaces that are not possible to capture with classic IR production workflows, due to the size of those acoustic spaces and the complexity of their shape.
In fact, we are able to produce the acoustic response of fictional and surreal environments not possible to find anywhere, perfect for use in fantasy and sci-fi genres.